Powered by Blogger.
Showing posts with label CELEBRITIES Biography. Show all posts
Showing posts with label CELEBRITIES Biography. Show all posts

Actress BOOMIKA Biography

>> Friday, 26 August 2011


Role : Actress
Industry : Telugu
Biography:
భూమిక
పేరు: భూమిక
ఇతరపేర్లు: భూమిక చావ్లా, గుడియా, రచన చావ్లా, భూమి
పుట్టినతేది: 21 ఆగస్ట్, 1978
జన్మస్ధలం: న్యూ ఢిల్లీ
భర్తపేరు: భరత్ ఠాకూర్

























 1.)
కలెక్టర్ గారి భార్య (2010)
కధానాయిక
 2.)
అమరావతి (2010) 
కధానాయిక
 3.)
భీష్మ (2009) 
కధానాయిక
 4.)
తకిట తకిట (2009)
కధానాయిక
 5.)
యాగం (2009)
కధానాయిక
 6.)
నా స్టైలే వేరు (2009)
కధానాయిక
 7.)
మల్లెపూవు  (2008)
కధానాయిక
 8.)
స్వాగతం (2008)
కధానాయిక
 9.)
అనసూయ (2007)
కధానాయిక
 10.)
సత్యభామ (2007)
కధానాయిక
 11.)
నువ్వు నేను ప్రేమ (2007)
కధానాయిక
 12.)
మయాబజార్  (2006)
కధానాయిక
 13.)
జై చిరంజీవ (2005)
కధానాయిక
 14.)
నా ఆటోగ్రాఫ్  (2004)
కధానాయిక
 15.)
సాంబ (2004)
కధానాయిక
 16.)
మిస్సమ్మ (2003)
కధానాయిక
 17.)
సింహాద్రి  (2003)
కధానాయిక
 18.)
ఒక్కడు (2003)
కధానాయిక
 19.)
రోజాపూలు (2002)
కధానాయిక
 20.)
వాసు (2002)
కధానాయిక
 21.)
స్నేహమంటే ఇదేరా (2001)
కధానాయిక
 22.)
ఖుషి (2001)
కధానాయిక
 23.)
యువకుడు (2000)
కధానాయిక

Read more...

Anna Hazare Biography

>> Monday, 15 August 2011























































From a tenacious soldier to a social reformer, and a right to information crusader,
Anna Hazare’s journey of four decades has been unprecedented in terms of a non-violent yet effective campaign of resurrecting a barren village into an `ideal village’ model and empowering the faceless citizen through pioneering work on Right to Information. His efforts to empower grampanchayats, protect efficient government officers from frequent transfers and fight against the red tapism in government offices have also received accolades.
His tryst with the army came when many Indian soldiers became martyrs in the Indo-China War of 1962 and the Government of India had appealed to young Indians to join the Indian army. Being passionate about patriotism, he promptly responded to the appeal and joined the Indian Army in 1963. During his 15-year tenure as a soldier, he was posted to several states like Sikkim, Bhutan, Jammu-Kashmir, Assam, Mizoram, Leh and Ladakh and braved challenging weathers.


At times, Hazare used to be frustrated with life and wondered about the very existence of human life. His mind yearned to look out for a solution to this simple and basic question. His frustration reached the peak level and at one particular moment, he also contemplated suicide. For this, he had also penned a two page essay on why he wants to live no more. Fortunately for him, inspiration came from the most unexpected quarters – at the book stall of the railway station of New Delhi, where he was located then. He came across a book of Swami Vivekananda and immediately bought it.


He was inspired by Vivekananda’s photograph on the cover. As he started reading the book, he found answers to all his questions, he says. The book revealed to him that the ultimate motive of human life should be service to humanity. Striving for the betterment of common people is equivalent to offering a prayer to the God, he realized.




In the year 1965, Pakistan attacked India and at that time, Hazare was posted at the Khemkaran border. On November 12, 1965, Pakistan launched air attacks on Indian base and all of Hazare’s comrades became martyrs, It was a close shave for Hazare as one bullet had passed by his head. Hazare believes this was the turning point of his life as it meant he had a purpose to life. Anna was greatly influenced by Swami Vivekananda’s teachings. It was at that particular moment that Hazare took an oath to dedicate his life in the service of humanity, at the age of 26. He decided not not to let go of a life time by being involved merely in earning the daily bread for the family. That’s the reason why he pledged to be a bachelor. By then he had completed only three years in the army and so would not be eligible for the pension scheme. In order to be self-sufficient, he continued to be in the army for 12 more years. After that, he opted for voluntary retirement and returned to his native place in Ralegan Siddhi, in the Parner tehsil of Ahmednagar district.




While in the army, Hazare used to visit Ralegan Siddhi for two months every year and used to see the miserable condition of farmers due to water scarcity. Ralegan Siddhi falls in the drought-prone area with a mere 400 to 500 mm of annual rainfall. There were no weirs to retain rainwater. During the month of April and May, water tankers were the only means of drinking water. Almost 80 per cent of the villagers were dependent on other villages for food grains. Residents used to walk for more than four to six kilometers in search of work and some of them had opted to open country liquor dens as a source of income.
More than 30-35 such dens located in and around the village had tarnished the dignity of the village and marred the social peace. Small scuffles, thefts and physical brawls resulted in loss of civic sense. Morality had reached such a nadir that some of the residents stole wooden logs of the temple of the village deity Yadavbaba to burn the choolah of one of the country liquor outfits.


Hazare came across the work of one Vilasrao Salunke, a resident of Saswad near Pune who had started a novel project of water management through watershed development in a joint venture with the Gram Panchyat. Hazare visited the project and decided to implement it in Ralegan Siddhi. By keeping an eye on conserving every drop of water and preventing erosion of the fertile soil, he steered the villagers to begin working towards water conservation. At the outset, they completed 48 Nala Bunding work, contour trenches, staggered trenches, gully plugs, meadows development and of forestation of 500 hectares of land. Thereafter, they constructed five RCC weirs and 16 Gabion Weirs.


This resulted in increase in the ground water level. After that, Hazare along with his team worked out the cropping pattern suitable to the quality of soil and the water volume available for farming. This led to increase in the water table by making water available for 1,500 acres of land instead of 300 acres. As a natural sequel, this effort led to yielding of food-grains and the villagers became self-sufficient in terms of food. The table turned turtle – earlier there was no work available for the villagers, now manpower was required to be imported from neighbouring villages.


The changes in the economics brought all the villagers under one roof of unity and people voluntarily contributed in terms of labour and money to build a school, a hostel, a temple and other buildings. Mass marriages, grains bank, dairy, cooperative society, self-help groups for women and youth mandals helped develop the village in all aspects and gave a new face to it.




Hazare opines that proper planning of natural and human resources can result in the betterment of a person, area, village instead of exploiting such resources. He says, ``Today we all are exploiting the earthen resources like petrol, diesel, kerosene, coal and water. This can never be termed as perennial development as it is going to lead a state of destruction one day. The sources of energy are limited and hence I am concerned about the next generations. Today many of the villages of almost every state are feeling the brunt of water shortage. Building concrete jungles does not mean development as Gandhiji had rightly said.
Creation of a human idol should be the main objective rather than creating towering buildings. Surely, one needs to live for oneself and the family but simultaneously one owes something to your neighbour, your village and your nation too. For this, you need an idol who could lead to this goal. Such leadership is not created by power or money but only by virtues like pure thinking, matching action and willingness to sacrifice. It is the thumb rule of farming that – When a seed buries itself, it leads to a better yield. in order to get better yield of grains, one single grain needs to burry itself.
The society needs such volunteers who are ready to get buried in selfless service for the better future of the society.’’
Hazare’s Ralegan Siddhi became the first role model of an ideal village and has become a tourist spot for many visitors across the nation, since it shows the metamorphoses from the worst village to an ideal village. Visitors include politicians, researchers, social workers and students. Four postgraduate students have completed Ph. D. thesis on Ralegan Siddhi.
Social Life


Anna rightly thought that Development is marred by corruption and started a new venture in 1991 called Bhrashtachar Virodhi Jan Aandolan (BVJA) or public movement against corruption. It was found that some 42 forest officers had duped the state government for crores of rupees through corruption in confederacy. Hazare submitted the evidences to the government but the latter was reluctant to take action against all these officers as one of the ministers of the ruling party was involved in the scam. A distressed Hazare returned the Padmashree Award to the President of India and also returned the Vriksha Mitra Award given by then prime minister of India Rajiv Gandhi.


He further went on an indefinite hunger strike in Alandi on the same issue. Finally, the government woke up from deep slumber and took action against the culprits. Hazare’s sustained campaign on this issue had a great effect - six of the ministers were forced to resign and more than 400 officers from different government offices were sent back to home.




Hazare realized that it was not enough to merely take action against fraudulent ministers or officers but to change the entire system that was studded with loopholes. Hence, he campaigned for the Right to Information Act. The state government turned a blind eye towards the pleas in this regard and so he first agitated in the historical Azad Maidan in Mumbai in the year 1997. To create mass public awareness about RTI amongst the youth, Hazare traveled extensively throughout the state. The government kept promising that RTI Act would be made but never raised this issue in the house or the state assembly. Hazare did not relent – he agitated at least ten times.
.
Finally, again he went on an indefinite hunger strike at Azad Maidan in the last week of July 2003. At last, the President of India signed the draft of the Right to Information Act after his 12-day-long hunger strike and ordered the state government to implement it with effect from 2002. The same draft was considered as the base document for the making of the National Right to Information Act-2005.
After the implementation of the RTI Act-2005, Hazare travelled for more than 12,000 Kms across the state creating awareness about the Act. In the second phase, he interacted with more than one lakh college students and also conducted mass public meetings across 24 districts of the state. The third phase included daily 2-3 public meetings in more than 155 tehsil places. In this massive campaign, posters, banners were displayed and more than one lakh booklets of the provisions of the Act were distributed at a nominal price.
This created enough of awareness and people were educated on the issue of rights of citizens.




Hazare deservedly won the coveted Padmashree and then Padmabhushan. Care International of the USA, Transparency International, Seoul (South Korea) also felicitated him. Apart from this, he received awards worth Rs 25 lakh and donated the entire amount for the Swami Vivekananda Kritadnyata Nidhi (social gratitude fund). Out of the two lakh rupees received from the above amount, mass marriages are carried of at least 25-30 poor couples every year.


That Hazare has given his life for social betterment is reflected thus: ``I do have my home in the village but I have not entered it for the past 35 years. I have implemented schemes costing more than several crores of rupees but I do not have bank balance. Last 12 years I have been working in the field of eradication of corruption. This movement is run entirely by public support without and grants or sponsorships. I appeal for money wherever I go for a public meeting and urge them to contribute generously. The same money I use to carry out my campaigns. The money collected at such public meetings is counted in front of the villagers and my volunteers issue a receipt of the same on the spot.’’


He further states that, ``The movement that we started many years back without a penny in wallet, has spread its wings in all the 33 districts and 252 tehsils of the state. Hence we have been instrumental in offering rights to local bodies like Gramsabha, preventing red-tapism and initiating the law of transfers. This has prevented corruption on a large scale. This has also resulted in offering social justice to the economically backward class. The Union Government keeps on making various schemes for poor people in availing kerosene, LPG and pulses on ration card but the middlemen keep on gulping the subsidies of the same. Our efforts made these necessities available to the poor.’’
The state government promoted opening of cooperative societies, credit societies & urban banks. Believing in the principles of cooperative sector, the utmost lower class of the society invested their savings with such cooperative societies. However, the directors of such societies devoured the money and failed to pay back the basic amount to the members of the societies. This created havoc and people were duped for crores of rupees and did not have money for the marriages of their daughters or for medical treatment. Hazare agitated for over eight months. The result was that more than Rs 125 crore was recovered from defaulters and the members of such societies heaved a sigh of relief. Recovery of around Rs. 400 crores is in the pipeline.




In the future, the BVJA will work for the decentralisation of power and laws related to the same. Says Hazare, ``we have decided to develop centers to create awareness amongst people about govt. schemes and train activists to know the modus operandi of corruption in each sector. As the state government has decided to set up committees at almost every nodal point like state, district, tehsil, and village level with one member on such committee represented by our organisation. We have trained more than 400 volunteers to work on such committees.’’
Actually the government should train the members of NGOs who can work in the sector of prevention of corruption. Then and then only we can dream of corruption-free state, concludes Hazare.


Sustainable development of any village by making it a “Model Village” and eradication of corruption are two sides of the same coin. If both are adopted, only then there will be an established welfare state.

Read more...

Ilayaraja Biography

>> Wednesday, 10 August 2011


                                         
Born On: June 2, 1943
Born In: Theni district, Tamil Nadu
Nationality: Indian
Career: Music Director
 
Ilayaraja is a veteran music director of South Indian film industry. The music maestro has composed over 4000 songs and worked in over 800 films, in a career spanning over three decades. He is accredited with setting a trend for film music in South India, by introducing Western musical nuances into songs. Apart from Tamil, he has also worked in Malayalam, Telugu, Kannada and Hindi films as a music director. The musician has been awarded the title of Isaignani ('savant of music').
 
Childhood
Ilaiyaraaja was born on June 2, 1943 in a poor family living in a small village “Pannaipuram”, located in Theni district of Tamil Nadu, India. He was originally named Gnanadesikan by his father Ramaswamy and mother Chinnathayammal. Ilaiyaraaja spent his childhood in the rural area of Pannaipuram, which sowed the seeds of music in him. He was well acquainted with the range of Tamil folk music prevalent in the place.
 
Early Life
At the age of 14, Ilaiyaraaja joined the musical troupe owned by his elder step-brother, Pavalar Varadarajan, and was associated with it for the next ten years. Ilayaraja composed his first song - an elegy written by veteran Tamil poet Kannadasan - when he was still working with the troupe. In 1968, Ilayaraja collaborated with Professor Dhanraj to start a music course in Madras. The course concentrated at the overview of Western classical music, study of techniques related to composition of music and instrumental performance. After specializing in classical guitar, Ilayaraja went on to pursue a course in the same, at the Trinity College of Music, London.
 
As An Instrumentalist
IlayarajaIlayaraja worked with a band-for-hire in Chennai, as a guitarist in the 1970s. Thereafter, he worked as a session guitarist, keyboardist and conducted the orchestra for renowned film music directors, including Salil Chowdhury. Later on, Ilayaraja worked as an assistant to Kannada music director G K Venkatesh, with whom he worked on around 200 films. While working with him, Ilayaraja penned his own music compositions as well. He listened to his own compositions by asking the session musicians to play excerpts from his scores. In the meantime, he also hired instruments from R K Shekhar (AR Rahman’s father), who later on joined the orchestra as its keyboardist.
 
As A Music Director
Ilayaraja made an entry into film music direction in 1976, by composing the songs and background score for the Tamil film “Annakkili”. His music reached wide across the Tamil audience. He used the technique of the modern film music orchestration to breathe life into the Tamil poetry written by the lyricists. Folk song melodies composed by Ilayaraja became a big hit amongst the music lovers soon. The songs of his films, including “Pathinaru Vayathinile” (1977), “Bhuvana Oru Kelvikkuri” (1977) and “Annai Oru Aalayam” (1979), were amongst the super hits during the initial years of his career as a music director.
 
During the mid 1980s, Ilaiyaraaja composed film songs that proved to be the evergreen hits of the period. The songs composed by Ilaiyaraaja in “Moondram Pirai” (1982),   “Payanangal Mudivathillai” (1982), “Munthanai Mudichu” (1984), “Sagara Sangamam” (1983), “Nallavanukku Nallavan” (1984), “Muthal Mariyathai” (1985), “Padikkathavan” (1985), “Sindhu Bhairavi” (1986), “Mouna Ragam” (1986), “Punnagai Mannan” (1986), “Nayakan” (1987), “Apoorva Sahodarargal” (1989) and “Rudra Veenai” (1989) are still fresh in the minds of music lovers. Slowly, he started gaining repute amongst the topmost music composers of South Indian film industry.
 
The early 1990s fetched same accolade for Ilayaraja. Some of his best works in the 1990s include “Anjali” (1990), “Thalapathi” (1991), “Michael Madana Kamarajan” (1991), “Guna” (1992), “Thevar Magan” (1992), “Magalir Mattum” (1994), “Sirai Chaalai” (1996) and “Sethu” (1999). With the advent of the new millennium, although Ilayaraja reduced his countless number of movies in a year to a handful, the magic in his songs continued. Apart from showing his dexterity as a composer in Tamil films, Ilayaraja also composed the music for several Telugu, Malayalam, Kannada and a few Hindi films as well.
 
Personal Life
Ilayaraja is married to Jeeva and has two sons and a daughter. His sons, Karthik Raaja and Yuvan Shankar Raaja are regarded as two of the best music directors of the present generation. His daughter, Bhavathaarini, is a playback singer. Ilayaraja’s brother - Gangai Amaran - is a renowned director-lyricist and music composer.
 
Awards 
  • National Film Award for Best Music Direction : “Saagara Sangamam” (1984), “Sindhu Bhairavi” (1986) and “Rudraveena” (1989)

  • Gold Remi Award for Best Music Score : “Vishwa Thulasi” (2005)

  • Kalaimamani Award from the Government of the State of Tamil Nadu, India

  • State Government Award from Government of Kerala in 1995

  • Madhya Pradesh State Award in 1998

  • NTR National Award in 2004 

Filmography
 
Tamil
  • 1976: Annakili , Athirshtam Azhaikkirathu , Badra Kali , Paalooti Valartha Kili , Uravaadum Nenjam

  • 1977: Alukkoru Aasai, Avar Enakke Sontham, Bhuvana Oru Kelvikkuri, Dheepam, Dhurga Dhevi, Pathinaru Vayathinile, Thunaiyiruppaal Meenatchi

  • 1978: Sigappu Rojakkal, Kaatrinile Varum Geetham, Kizhake Pogum Rail, Mullum Malarum, Tripura Sundari, Vaazha Ninaiththaal Vaazhalaam, Vattathukkul Chathuram 

  • 1979: Aarilirindhu Aruvathu Varai, Agal Vilakku, Annai Oru Aalayam, Chella Kili, Devathai, Nallathoru Kudumbam, Ponnu Oorukku Pudhusu, Poonthalir, Sakkalathi, Thai Illamal Naan Illai,

  • 1980: Murattu Kaalai, Naan Potta Savaal, Nadhiye Thedi Vandha Kadal, Nizhalgal, Orey Muththam, Ponnagaram, Rishi Moolam, Rusi Kanda Poonai, Samanthi Poo, Ullasa Paravaigal

  • 1981: Indru Poyi Naalai Vaa, Netri Kann, Panneer Pushpangal, Pennin Vazhkai, Raaja Paarvai, Rama Lakshman, Ranuva Veeran, Sollaathey Yaarum Keyttaal

  • 1982: Moondram Pirai, Auto Raja, Azhagiya Kanney, Eera Vizhi Kaaviyangal, Engeyo Ketta Kural, Gopurangal Saayvathillai, Hitler Umanath, Ilanjodigal, Kalyana Kalam, Kathal Ovium, Kavitha Malar, Payanangal Mudivathillai, Pokkiri Raja, Ranga, Sakala Kala Vallavan,

  • 1983: Aayiram Nilavae Vaa, Adutha Varisu, Andha Sila Naatkal, Ilamai Idho Idho, Ilamai Kaalangal, Thanga Magan, Thoongathey Tambi Thoongathey

  • 1984: Anbulla Rajanikant, Irupatthi Naalu Mani Neram, Jappanil Kalyanaraman, Munthanai Mudichu, Nallavanukku Nallavan, Neengal Kettavai, Oru Kaidhiyin Diary, Vaidehi Kaathirundaal, Vazhkai, Vellai Pura Ondru

  • 1985: Kaakki Sattai, Kanni Raasi, Meendum Paraasakthi, Muthal Mariyathai, Padikkathavan, Pagal Nilavu, Poove Poochudava, Pudhiya Theerppu, Raaja Gopuram, Sree Raaghavendra, Thanga Mama

  • 1986: Kadolara Kavithaigal, Mela Thiranthathu Kadhavu, Mouna Ragam, Mudhal Vasantham, Murattu Karangal, Pudhir, Punnagai Mannan Saadhanai,

  • 1987: Nayakan, Poovizhi Vasalile, Puyal Padam Pattu, Sirai Paravai, Theertha Karayinile, Ullam Kavarntha Kalvan, Vazha Vazharka   Velaikkaaran, Vetri Vizha 

  • 1988: Rudra Veenai, Agni Nakshatram, Chinnabaabu, En Bommukutty Ammavukku, Enga Ooru Kaavakkaaran, En Jeevan Paaduthe, Guru Sisyan,

  • 1989: Apoorva Sahodarargal, Ashoka Chakravarthy En Purushan Thaan Thendral Sudum, Thiruppu Munai, Vaadyaar Veettu Pillai, Varusham Padhinaaru 

  • 1990: Anjali, Edhir Katru, Engitte Modhathe, My Dear Marthandan, Nadigan, Nee Siriththaal Dheepaavalli, Nilapennay, Raja Kaiye Vacha, Sirayil Sila Raagangal, Thaalaattu Paadava,

  • 1991: Thalapathi, Chinna Gounder, Chinna Thambi, Dharma Dorai, Idhayam, Irumbup Pookkal, Karpoora Mullai, Kumbakarai Thangaiah, Michael Madana Kamarajan, Thaalaattu Kekkuthamma, Thaayamma

  • 1992:  Agni Paarvai, Dharma Kshetram, Enrum Anbudan, Guna, Idu Namma Bhoomi, Innisai Mazhai, Ricksha Mama, Singaaravelan, Thevar Magan, Thirumathi Pazhanichami, Villu Paattu Karan 

  • 1993: Ejamaan, Mahanadi, Maharasan, Mamiyaar Veedu, Manikkuyil, Parvathi Ennai Paaradi, Walter Vetrivel 

  • 1994: Adhiradippadai, Allari Police, Amaidhi Padai, Honest Raj, Kanmani, Magalir Mattum, Sethupathi I.P.S,

  • 1995: Makkal Aatchi, Nattupura Pattu, Oru Orle Oru Rajakumari, Paattu Paadava, Paattu Vaathiyaar, Periya Kudumbam, Sathi Leelavathi  

  • 1996: Sirai Chaalai, Katta Panchayathu Kuruthipunal, Poomani, Poovarasan, Vasantham 

  • 1997: Devathai, Kaadhalukku Mariyaadai, Kadavul, Thambi Durai, Thenmaangu Paattu Karan, Vasuki  

  • 1998: Anthahpuram, Deseeya Geetham, Dharma, Kaadhal Kavidai, Kumbakonam Gopalu, Senthooram Thalaimurai, Veera Thaalaattu  

  • 1999: Friends, Kummi Paattu, Manam Virumbuthey Unnai, Mugam, Nilavey Mugam Kaattu, Ponnu Veetukkaran, Sethu, Thodarum 

  • 2000: Hey Ram, Bharathi, Ilaiyavan, IPC 215, Kaadhal Rojave, Kaakai Chirakiniley, Kelviyin Nayagan, Puratchi

  • 2001: Friends, Kutty

  • 2002: Azhagi, En Mana Vaanil, Ramana, Solla Marantha Kathai

  • 2003: Manasellaam, Julie Ganapathy, Pithamagan

  • 2004: Vishwa Thulasi, Shiva Shankar, Virumandi, Kamaraj

  • 2005: Athu Oru Kanaa Kaalam, Oru Naal Oru Kanavu, Mumbai Express, Twinkle Twinkle Little Star 

  • 2006: Azhagai Irukirai, Bayamai Irukiradhu, Shiva

  • 2007: Sooryan 

Malayalam
  • 1977: Vyamoham

  • 1978: Aaru Manikkoor,Achchanai 

  • 1980: Dhooramarigey, Manju Moodal Manju   

  • 1982: Alolam, Olangal   

  • 1983: Aa Rathri, Sandhyakku Virinja Poovu

  • 1984: Janavari Onnu, Mangalam Nerunnu, My Dear Kuttichaathan

  • 1985: Yathra

  • 1986: Poomukhappadiyil Ninneyum Kathu, Aappirikaavil Appu             

  • 1988: Moonnam Pakkam  

  • 1989: Adharvam 

  • 1991: Anaswaram, Ente Sooryaputhrikku

  • 1992: Pappayude Swantham Appoos, Kalikaalam

  • 1996: Kala Pani 

  • 1997: Guru, Kaliyoonjal, Oru Yaatra Mozhi

  • 1998: Anuragakottaram, Kallu Kondoru Pennu, Manjeeradhwani            

  • 2000: Kochu Kochu Santhoshangal 

  • 2002: Nizhalkkuthu    

  • 2003: Manassinakkare  

  • 2005: Achuvinte Amma, Ponmudipuzhayorathu  

  • 2006: Pachakuthira, Rasathanthram

  • 2007: Vinodayathra

  • 2008: Innathe Chinthavishayam 

Telugu
  • 1978: Vayasu Pilichindi

  • 1979: Ammaa Evarigaina Amma, Pancha Bhoothalu, Urvasi Niney Naa

  • Priyasi, Yerra Gulabi   

  • 1980: Kotha Jeevithalu, Maayadhaari Krishnudu   

  • 1981: Amaavaasya Chandhrudu, Nee Nanna Gellare, Prema Pichchi, Seethakoka Chilaka

  • 1982: Angadhudu, Nireekshana 

  • 1983: Abhilasha, Sagara Sangamam 

  • 1984: Jalsarayudu, Nuvva Nena, Takkaridonga, Veerabhadhrudu

  • 1985: Oka Radha Iddaru Krishnulu, Anveshana, Darja Donga , Jalsa Bullodu, Monagadu Mosagadu, Preminchu Pelladu, Rahasya Hanthakudu,

  • Swathi Muthyam 

  • 1986: Raakshasudu, Kiraathakudu, Aalaapana, Manchi Manasulu, Sri

  • Shirdi Saibaba Mahathyam 

  • 1987: Sankeerthana, Sri Kanaka Mahalakshmi Recording Dance Troupe     

  • 1988: Aasthulu Anthasthulu, Abhinandana, Varasudochhadu               

  • 1989: Indrudu Chandrudu, Swathi Chinukulu                             

  • 1990: Jagadeka Veerudu Attilokasundari, Kondaveeti Donga, Guru

  • Shishyulu 

  • 1991: Keechu Raallu, Sri Edukondala Swaami

  • 1992: Ashwamedham, Chinna Rayudu, Marutode Naa Mogudu                 

  • 1993: Amma Koduku  

  • 2007: Anumanaspadam  

Kannada
  • 1978: Maathu Thappadha Maga

  • 1980: Janma Janmada Anubandha, Pasidi Moggalu 

  • 1981: Bhari Bharjari Bete, Garjanai

  • 1983: Niyaaya Geththidhu 

Hindi
  • 1981: Do Dil Diwane 

  • 1983: Sadma

  • 1985: Khooni, Mera Inteqam  

  • 1986: Jadu Nagari   

  • 1991: Coolie No. 1, Aadmi Aur Apsara

  • 1996: Aur Ek Prem Kahani, Chhaila, Gulaabi, Saza-E-Kala Pani, Sabse Bada Mawali      

  • 2001: Lajja (Background Music)

  • 2005: Divorce: Not Between Husband and Wife

  • 2007: Cheeni Kum   

  • 2008: Mukhbiir

Read more...

BEAR GRYLLS (Real Hero) Biography


Bear Grylls from Man vs. Wild
MAN VS. WILD host, author and seasoned adventurer BEAR GRYLLS began a lifetime of exploration at an early age.  Bear grew up on the Isle of Wight, and as a young boy would go mountain climbing with his father.
He served three years with the Special Air Service, a special forces unit of the British army. During his service, he broke his back in three places in a parachuting accident over Southern Africa.
Despite the accident and severity of his injury, Bear went on in 1998 to become, at age 23, the youngest British climber to complete a summit and descent of Mount Everest. He wrote about his experience in the book, The Kid Who Climbed Everest.
Not content to slow down, Bear achieved another first when he and his Everest climbing group circumnavigated the United Kingdom on jet skis. He also led the first unassisted crossing of the frozen North Atlantic Ocean in an open rigid inflatable boat. His book about this adventure, Facing the Frozen Ocean, was shortlisted as the U.K.'s "Sports Book of the Year." Bear was awarded a commission in the Royal Navy in honor of leading this record-breaking expedition.
In June 2005, Bear broke a world record by hosting a dinner party at a table suspended below a hot air balloon at 24,500 feet. He rappelled from the balloon's basket to the table, where in full naval uniform he ate a three-course meal before saluting the queen and skydiving to earth. His goal was to support the work of two charities: the Prince's Trust and the Duke of Edinburgh's Award.
Bear hosted a 2005 television series for the U.K.'s Channel Four, called Escape to the Legion, in which he took a group of young men to the Western Sahara Desert to undergo the French Foreign Legion's infamous basic training. A second Channel Four series, titled Born Survivor: Bear Grylls, completed its U.K. run in April 2007.
On May 15, 2007, Bear set another world record when he became the first person to fly over Mount Everest by powered paraglider. Supported by the GKN Mission Everest Team, Grylls and fellow pilot Giles (Gilo) Gardozo flew specially developed paramotors. Though a fault in Gilo's machine forced him to abort only 1,000 feet below the summit, Bear continued to ascend until he reached 29,500 feet and was able to look down on Everest as he circled above some of the most famous peaks in the Himalayas. Then his own engine developed problems and he, too, had to glide back to safety — but he had achieved his goal. The mission raised $1 million for the Global Angels Foundation, a charity that supports children in Africa. Filmed by thePlanet Earth team, Bear and Gilo's undertaking will be made into a two-hour documentary for Discovery Channel and Channel Four in the U.K.
Bear's most recent book, Born Survivor: Survival Techniques From the Most Dangerous Places on Earth, was released in spring 2007. It is already listed on the Sunday Times Top 10 Best-Seller List.
He has hosted the Discovery Channel's MAN VS. WILD, in which he strands himself in remote locations to demonstrate localized survival techniques, since November 2006.

Bear lives on a converted barge on the River Thames with his wife Shara and their young sons Jesse, Marmaduke and Huckleberry.

Bear Grylls and the crew receive support when they are in potentially life threatening situations, as required by health and safety regulations.
On some occasions, situations are presented to Bear so he can demonstrate survival techniques.
Professional advice should always be sought before entering any dangerous environment.

Read more...

PRABHAS Biography

>> Tuesday, 9 August 2011




















"Prabhas Raju Uppalapati" Popularly known as ‘‘Prabhas” is Tollywood Actor and the Nephew of Tollywood Star & Politician Rebel Star Krishnam Raju.
Full Name:Uppalapati Venkata Satyanarayana PRABHAS Raju
Birth Date:23rd October 1979
Star Sign:Scorpio
Father:U.Suryanarayana Raju
Mother:Siva Kumari
Sister:Pragathi
Brother:Prabodh
Height:6 ' 2 "
Home Address:Jublee Hills,Hyderabad
Best Friend In Tollywood:Gopi Chand, Allu Arjun
Favourite Holiday Spot:London
Favourite Heroines:Trisha & Shreya
Hobbies:Watching Tv

Read more...

Mahesh Babu Biography



 View Biography

Biography / Biodata























Name
Mahesh Babu
Nick Name
Superstar,Prince
Real name
Ghattamaneni Mahesh Babu

Date of Birth

Aug 9, 1974
Birth Place
Chennai,India
Nationality
Indian
Star Sign
Leo

Mahesh babu Height

6′ 2″
Eye colour
Brown
Hair colour
Light brown
Mother Tongue
Telugu
Father
Krishna
Mother
Indira Devi
Brother
Ramesh
Sisters
Padmavathi, Manjula and Priyadarsini
Spouse
Namrata Shirodkar [10 Feb 2005]
Son
Gautam Gattamaneni [ August 31, 2006]
College Days
B.Com, Loyola College in Chennai
Profession
Actor ,Model

First movie_____________

Rajakumarudu [1999]

Read more...

Hansika Motwani Biography

  View Biography
Biography / Biodata















Name
Hansika Motwani
Alternate Names
Baby Hansika Motwani / Seema Motwani

Date of Birth

August 9, 1991
Birth Place
Mumbai, India
Nationality
Indian
Hair colour
Brown
Eye colour
Light brown
Father
Mr. Pradeep Motwani
Mother
Mrs. Mona Motwani
Brother
Prashant Motwani
Schoool Days
Podar International School
Languages known
English, Hindi,Tulu, Telugu
Profession
Actress, Model

First movie_____________

Desamuduru [2007]

Read more...

  © Blogger template Webnolia by Ourblogtemplates.com 2009

Back to TOP